How do you write a report?

Another new task set ahead of me, learning to develop and write a report is a tad ambiguous and scary in what is reminded as a very short time frame?

I have found this website run by Grammarly:

https://www.grammarly.com/blog/how-to-write-a-report/: How do you write a report?

I have a lot of work to consider and specifically a plan to build around this report, the first I must do, is read a report or find similar work that is considered to be a foundation in understanding the prospect of


Report type: Business/Academic
Report viewers: Vertical (both higher and lower positions)
Report type: Academic report – Formal and information

1. Executive Summary: Abstract – normally written after your report has concluded.
2. Introduction: Setting up the body of the report.
3. Body: Broken into headings and subheadings detailing major events or findings.
4. Conclusion: Personal input of opinions summarising the findings and data.


A report must include the following, remember to seek out and notice the design of the organisation’s layout of their reports! analysis the design of the report and think if this is how you want to present your findings:

  • Title page: Official reports often use a title page to keep things organized; if a person has to read multiple reports, title pages make them easier to keep track of. 
  • Table of contents: Just like in books, the table of contents helps readers go directly to the section they’re interested in, allowing for faster browsing. 
  • Page numbering: A common courtesy if you’re writing a longer report, page numbering makes sure the pages are in order in the case of mix-ups or misprints.
  • Headings and subheadings: Reports are typically broken up into sections, divided by headings and subheadings, to facilitate browsing and scanning. 
  • Citations: If you’re citing information from another source, the citation guidelines tell you the recommended format.
  • Works cited page: A bibliography at the end of the report lists credits and the legal information for the other sources you got information from.

Using this guideline, I feel that I have the core understanding of making my report come to life, and bringing the evidence to life. The only concern would be following the guidelines of UAL and making the report in the similar format. Although a personal concern it is not a career one, as its experience building.

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Ethical Enquiry Forum Draft

This enquiry forum is pretty new to me. Understanding the purpose and need is remarkably heavy reading but it is noted that it is deeply effective in helping you fully understand the potential of risk in your research.

Documenting this draft as my first written enquiry piece is another milestone in my research journey, making this term a great start to the ending of the PGcert. I like to upload my ideas as a reflective piece, that I can categorise in the future and look back onto.

I still have a lot to learn and consider with ethics and research, so this entry point is short and sweet, considering the time it has come into action, it would be good to start to learn about ethics earlier in the course.

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Technician Grade 4: Teaching and Learning Specialist.

I wanted to analyse and reflect on my job description and relate it more closely to the areas of interest for my ARP. I have taken key points and considered how they can be reflected as a job responsibility to the current pillars at LCF/UAL. Below is an idea, a reflective thought of how I can relate what is already in place and connect the dots to make technicians feel more connected to the overall family of UAL and its strategic plan.

Teaching and Learning (Academic Research)

  • To provide formal or informal sessions to students that may include one of more, demonstration, instruction with a process/technique, coaching with the development and proficiency of a particular skill, technique or process.​
  • To contribute to planning, development and delivery of learning activities supporting student learning and research, liaising with Course Leaders and academic staff informally and formally with Course meetings
  • To contribute to student formative assessments, with reference to appropriate learning outcomes of the course or project.​

    Knowledge Exchange
  • To liaise internally and externally with professionals and recognised practitioners and artists, attend conferences and exhibitions to share and develop ideas, knowledge and expertise that can be translated to support academic learning and research activities.​
  • To be involved with the design, production and development of appropriate teaching and learning materials to suit own specific areas of specialist activity and service delivery

    Research
  • To carry out detailed and extensive research to support the ability to diagnose and resolve problems of a highly technical, complicated nature, that involves testing and re-testing scenarios and processes to lead to the successful design and achievement of intended learning outcome/execution of work​
  • To contribute, as a course team member, with the planning and development of the programme area, the identification of learning outcomes, including curriculum development, research and commercial activities. (this can also be associated with T&L and KE). 

Academic Career Pathways

UAL needs an academic workforce with the different skills to deliver teaching, research and knowledge exchange. The Academic Career Pathways project is designed to recognise, develop and reward careers in these mission areas.

Following extensive consultation, we have introduced 3 Academic Career Pathways:

  • Teaching Oriented Pathway
  • Knowledge Exchange-Oriented Pathway
  • Research Oriented Pathway

The pathways aim to build on our knowledge exchange reputation and our excellent teaching.

Project principles

  • All academic staff will teach as part of their contract
  • All 3 pathways will have a clear route from Grade 5 to Professor
  • You will be placed on a pathway through an open, transparent process
  • There will be a clear process to switch your pathway at different points in your career

We aim to achieve these basic principles within existing contractual arrangements.


The question, when I first started my specialist job, is where is my pathway? and where can I go in my career as a specialist? I have been fighting for answers to this question, for 3 years, not really knowing how to dive deeper into the meaning behind my job, what it means to be a specialist and where are the level 5 and level 6 specialists that are related to lectures and senior lectures.

I found this information, very exclusive and excluded a lot of the student teaching workforce who are level 4 specialists, who build active learning teaching plans, and lesson plans and develop synchronous and asynchronous teaching based on industry skills related to creative practice.

The process and practice of teaching practical skills come in new ways, and very heartfelt and honest approaches to teaching especially craft focus, which has a huge history with diversity, equality and classism. There is also learning curves for those specialists who have been doing this job for over 10/20 years and now changing their teaching practice and evaluating how digital teaching reflects the new generation of learners! Do technical staff get the opportunity to explore digital research/KE or teaching in changing or developing their practice, and reflect on how it is taught?

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Ethical Understanding BERA

I have started to realise, that this blog is a mind map of not just my thoughts, but key moments in my education journey, and being able to upload PDFs, will allow me to keep a digital track of the information I have been reading.

Ethical reading to my understanding, is liberating and protecting both the investigator and the participant in the simplest formats. It allows both party members to be honest and open about the investigation and how they are participants, which are key data retrieval in obtaining evidence to conquer queries or problems researchers face within their work.

“Educational researchers aim to extend knowledge and understanding in all areas of educational activity and from all perspectives, including those of learners, educators,
policymakers and the public.” pg 3

This citation is extremely rewarding to read and shows how inclusive this guideline is for educational researchers, the wording is very inclusive and welcoming to those who aren’t academics and brings a sense of clarity to the field while studying the PGcert. (Something like this would be good to see amongst the pgcert workshop days, using inclusive language to support all educational staff that participate in teaching and learning).

The Guide Lines – I have taken the opportunity to dive in and question the first section of the guideline mostly based on participants, as this part I feel most fearful, On one hand, I am exhausted from the hierarchy system, the language used solely focused on academics and the routes of progression offered to technical staff members.

1. The British Educational Research Association (BERA) believes that educational researchers should operate within an ethic of respect for any persons – including themselves – involved in or touched by the research they are undertaking. Individuals should be treated fairly, sensitively, and with dignity and freedom from prejudice, in recognition of both their rights and of differences arising from age, gender, sexuality, ethnicity, class, nationality, cultural identity, partnership status, faith, disability, political belief or any other significant characteristic.” pg 6

  • Is my question, harmful towards any of these differences?
  • How do I come across as sincere and sensitive when investigating?
  • How do I elevate my question to reflect a technician’s position?

“2. The Association expects researchers to be mindful of the ways in which structural inequalities – those, for example, associated with ‘race’, gender, LBGT+ issues and socioeconomic status – affect all social relationships, including those that are formed in the course of research. Where relevant, attention should be paid to the ways in which such
inequalities specifically affect children and young people, and their relationships. Sensitivity and attentiveness towards such structural issues are important aspects of researchers’
responsibilities to participants at all stages of research, including reporting and publication.” pg 6

  • Are there already Social structures at play within the hierarchy of Creative education?
  • Rapport relations between students and academics versus technicians?
  • Navigating the political side of a technician’s position to challenge standards?

“3. Participants in research may be actively or passively involved in such processes as observation, experiment, auto/biographical reflection, survey or test. They maybe collaborators or colleagues in the research process, or they may simply be implicated in the context in which a research project takes place. (For example, in a teacher or lecturer’s research into their own professional practice, students or colleagues will be part of the context, but will not themselves be the focus of that research.) It is important for researchers to take account of the rights and interests of those indirectly affected by their research, and to consider whether action is appropriate – for example, they should consider whether it is necessary to provide information or obtain informed consent. In rare cases – for instance, in some politically volatile settings, or where researchers are investigating illegal activity, including suspected abuse – covert research may be defensible. In such cases approval must be obtained from an institutional ethics review committee.” pg 6-7

  • As my question deals with the greater learning opportunities for students, how do I navigate guideline 3?
  • My professional practice is halted at Level 4, Level 5 technical roles are management and not necessarily ‘professional practice’ in education but more directed towards managing people and resources.
  • How do I reflect the need to progress technical roles and in fact share a curiosity with evolving student learning with current times/needs of the industry?

“4. Where research draws on social media and online communities, it is important to remember that digital information is generated by individuals. Researchers should not assume that the name given and/or identity presented by participants in online fora or media is a ‘real’ name: it might be an avatar. This avatar could represent a human or a bot, but behind either will be one or more human creators responsible for it, who could therefore be regarded as participants; whether and how these potential participants might be traceable should be considered. Where an organisation shares its data with researchers, those researchers have a responsibility to account for how and with what consent that data was gathered; they must also consider the authorship of that data and, consequently, whether it is necessary to independently approach the relevant individuals for consent concerning its use. Researchers should keep up to date with changes in data use regulations and advice.” pg 7

  • This guideline is interesting, solely on the focus on technical roles becoming more digital based and corresponding with the hybrid learning curves of how to manage and balance work commitments, teachings, studio managing, health and safety, registers, supervised studio, maintenance, online bookings, machine handling, ordering, digital learning resources and of course now teams, the work communication and database tool.
  • Data use would be from physical participants in a real-life focus group (the desired research method). Although questions will be on digital learning and upskilling, automation and craft versus digital making.
  • As this is a voluntary participating group, I will provide consent forums indicating that the answers provided are truthful and honest and will be showcased with anonymity within the research e.g. Technician 1, ” 25 years in the business etc etc”…

“5. Researchers have a responsibility to consider what the most relevant and useful ways are of informing participants about the outcomes of the research in which they were or are involved. They could consider whether and how to engage with participants at the conclusion of the research by, for example, debriefing them in an audience-friendly format, or by eliciting feedback on the findings. Should conflicting interpretations arise, researchers should normally reflect participants’ views when reporting the research. Researchers may wish to offer them copies of any publications arising from projects in which they have participated, or to produce reports specially tailored for the research context, taking into consideration potential subsequent uses of this material, including by the participants’ institutions. Where the scale of the research makes such a consideration impractical, alternative means such as a website could be used to ensure that participants are informed of the outcomes and the ways in which they are able to engage with them.” pg 8

  • The research information document seems to be fitting for the purpose of the research I am trying to conduct in order to see a change in technical routes?
  • I think I will offer a debriefing or a review of the peer observation during my presentation to see how it can progress.
  • As this is a small-scale methodology, offering participants an opportunity to regroup and reflect on my findings could be interesting and add to the value of the research. Is there a name for such methodology or is it still considered qualitative?

“6. Researchers also have a responsibility to consider how to balance maximising the benefits and minimising any risk or harm to participants, sponsors, the community of educational researchers and educational professionals more widely – while again recognising that irresolvable tensions may need to be addressed. At times, some benefits to participants may be compromised in order to achieve other gains or goals, but these compromises should be justifiable and, where possible, explicitly accounted for.” pg 8

  • My research is about benefiting the technical teams as well as focusing on retention and career longevity. navigating this balance mentally seems quite easy, but maybe I am being naive in the presumption that everyone will see that benefit.
  • I have selected a small group of deans and managers to interview, if willing to see how the prospect of these findings is connected to my idea of technical pedagogy and its future with teaching and learning specialists.

“7. Researchers should not undertake work for which they are not competent.” pg 8

  • How do we value competence in research?
  • Am I competent because I am currently in that position?
  • Am I competent because I am conducting a theory of idea for a small research project?
  • Am I competent as I feel my future in a career, changes my desired outcome.

In total, there are 85 guidelines, which is an extreme amount of guidelines to consider and follow, something that I am grateful to have and to read back on. Over time, I will blog more about certain topics, more reflectively when it comes to nature with my research proposal. I think reading all of the sections at once, will hinder and make my research less honest, as I feel I will procrastinate over these guidelines, rather than correcting them later.

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Ethical Consent Form First Draft

It is really interesting writing an ethical forum and committing to these research methodologies before actually testing out the ideas, or experimenting to see if they are the right ones to do. I am hoping that with the influence of my peers, I have chosen the right methods and work towards gathering this information.

I am really proud of this moment, my first research idea, coming to life. A mile stone.

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The social representation of the classroom

Slide show

While studying on the pgcert, I have noticed that the majority if not all documentation, power points, always address the academics, like the image above. Rather than people who are in the room. There are plenty of talks of this, but action is missing, to me personally, this falls in line with social justice and staff representation within “staff learning portals/courses”
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‘Synthesise’ is the correct word to be used towards art/design students. As a practitioner in conversations with other creative colleagues, this word is confusing and alienating towards what is required to secure this learning outcome.

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In agreement with the group, the facilitators contributed the same concerns and discussed the issues are upper programmable and have a 5-year wait before changes can be implemented.
This was an extremely interesting concept to consider on the background information connected to courses and learning a small bit of information on the audits of courses.

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Pre-Task ARP -reading 8

Writing Small discoveries: an exploration of fresh observers’ observations.
Askel H. Tjora – Norwegian University of Science and Technology

The question I ask is whether the selection of these articles was randomised, why the tutor prescribed me this context and what relevance it has to my research skills or lack thereof.

The first few pages are remarkably academic and incredibly banal allowing my mind to drift and disconnect, engagement so far has been why? over ‘mmmh interesting’. Personally and creatively I do enough people-watching and I am wondering to myself, If I can consider any of these citations an unconscious ploy of self-documenting my observations.

Salient
ˈseɪlɪənt adjective is most noticeable or important. – Google search.

A new word to add to the vocabulary, I believe most of the reading this term, is an introduction to the ‘academic tongue’ but majority of the papers I tend to read, I am googling what the meaning is, questioning if I am smart enough to even take on this pgcert let along the challenge of a PhD.

“There are two important ethical issues that have to be considered when
applying students’ work in this article. The first is the exploitation of students’
work for individual research and publication purposes, and the second is the
potential to make fun of students’ stumbling early research-like attempts.” pg7


I liked this exposure to the ethical awareness of the following student’s pieces being shown in the next few pages, considering the evidence provided to conclude this article, it is extremely awarding to be respected in this manner in academia.

Another uptake from this note-taking article, is the use of brackets in dialogue of observing, while doing research (Could I have a mind of my own) based on this situationship of collecting data. Building internal dialogues into research seems exciting and more related to bringing a more individualist approach to capturing data.

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Interesting to see on page 16 :

“Compared to a naive description, a note such as the above may lose research-related validity by the way it represents a very personal description or rather a literary reconstruction of a social situation.”

While one portion of note-taking, having an internal dialogue is seen as acceptable in an ‘extra-naive’ manner, over-stimulating the dialogue with personal descriptors can invalidate the research.

“The students had to use some sort of intuition, or informed hunches, to make sense of activities observed and to develop a way of ‘seeing’ what was evident in the social setting (Janesick, 1998: 61).” pg 19

“people watching” is a hobby, I understood the concept of this, literacy though, describing the interactions, and environments never really occurred in my practice, it is more the style, dress and body language of the one being observed.

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After sleeping on this article, the journey to read it was incredibly hard due to time, work restrictions and opening the new building at LCF. Which means that I didn’t have enough time to digest and reflect properly. I felt this allowed me to give a negative pretence to the article and I saw the author to have a god-based complex that although pointed out wrongs, didn’t provide clear or ‘correct’ methods to consider a clear end route for student versus public engagement in ethnographic research.

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Reading 9 (Art-based action research in the development work of arts and art education)
Timo Jokela & Maria Huhmarniemi

Dee’s thoughts on this article provided a lot more participation in action research guidelines and allowed a better understanding of how to challenge research within art and design. Maybe this is something I could read in the future to get a better understanding of research in the sight of the future of continuing a career in this field of technical academia.


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Opening a disclaimer in biases, between participants and practitioners we navigate this question in starting a session on these initial starting prompts. What and where is the ethical and unethical understandings of being a part of research and building a fair and progressive research paper.

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Reading 7 – Documenting classroom life: how can I write about what I am seeing?
LIZ JONES, RACHE L HOLMES, CHRISTINA MACRAE and MAGGIE MACLURE Manchester Metropolitan University, UK


I am hoping to read this article, as E-Sinn’s review of the paper was quite profound in liberating how we conduct the outcome of our research and the purpose of the researcher, creating the routes of questions and open-ended solutions.

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Transparency in how you talk about the research and the leading outcomes, positionality and ideas of building a connection in social and academic practice.

Is transparency possible, who I am, and what am I bringing to the table, how do we manage risk, how is its power consistently negotiated, MAKE VISIBLE?

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Epistemology – how do we know?

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Below is the response from today’s session on digesting each other’s readings and how we discussed the possible connections throughout each part.

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A Pedagogy of Social Justice Education: Social Identity Theory, Intersectionality, and Empowerment

Hahn Tapper (2013) pp 411-417

“ But what is social justice education? One common, but certainly not ubiquitous, idea is that it explicitly recognizes the disparities in societal opportunities, resources, and long-term outcomes among marginalised groups (Shakman et al. 2007, 7).”

I never really understood what Social Justice meant, in a way, I still don’t. I see it, yes, not to revert back to my positionality, but growing up with a single-parent, low-income background. It was really obvious in creative education who was ‘classed’ as poor and how limited opportunities were provided or that didn’t have to be paid for.

“I first look at three of the educational pillars on which the organization’s pedagogy is based: Paulo Freire’s approach to education and social justice, social identity theory, and intersectionality.”

“It is impossible to think of education without thinking of power . . . the question . . . is not to get power, but to reinvent power” (cited in Evans, Evans, and Kennedy 1987, 226).

The quote above is extremely powerful and a motto, that I hope can help reshape my ideology on education and bring a new meaning of power into my teaching practice.

“Freire explains the role that identity plays in the shaping and implementation of education. One of his most important arguments is that students’ identities need to be taken into account in all educational settings.”

their primary goal is to have students teach one another about social identities and intergroup dynamics using critical thought. Teachers and facilitators are understood to be guiding, rather than leading, students through this process, assisting in steering the experience while not actually piloting it in a top-down, dictatorial manner, always using and reinforcing academic critical thinking methods along the way.

Freire goals in teaching are incredible and somewhat seem completely distant from what I have experienced in my role. We still have this pressure from academic to the technical staff of tutors to make sure students depart the course with an embedded knowledge that is drip fed from year one to year three.  How can I as a technical staff member challenge our teaching practices to encourage this pillar of peer-to-peer learning and sharing of identities?
I think my rhizomatic approach to technical teaching is more guidance than leading, although I do have a pioneering sense of practical skills, that are probably abused by academic staff, merely due to holding my skills to a high ‘industry’ standard. Our course is quite unique as it’s a branch of the bigger wider department within textiles, but it is very hard to compare knitting with print and embroidery. The skill sets our students have need a direct balance between fashion and textiles and not merely one or the other, for an industry-based job we must reflect teaching that guides and facilitates industry employability.

Reflecting on this first pillar, I would say Freire holds similar ideologies to how identity plays in my teaching practice and how as an Irish person, my positionality and experience is solely reflective of my identity, something that I share with the students, my teaching practice is built through community and generational learning, I have developed a ‘fatherly’ teaching figure in understanding an exploring students cultural identities, learning mandarin and participating is yearly cultural activities to allow my students to see that our transfer of knowledge is interchangeable and while I teach them practical skills, they are teaching me life skills.

Social Identity and intergroup encounters. “One of the first theories to emerge in the field of intergroup education was the contact hypothesis (Allport 1954). According to this supposition, if individuals identifying with particular groups in conflict interact with one another in a positive structured environment, they have an opportunity to reevaluate their relations with one another such that one-time enemies can become acquaintances or even allies.”

This reminds me of conflict management, a course I was gifted back in my high school learning days, with the post-Good Friday agreement of Northern Ireland, showing young people that the differences between Catholics and Protestants were minimal and that we strive for the same goals, but with different outlooks in getting there.

I can also see, through my own experience that this was challenging and can bring a violent or explosive nature between parties sharing these environments. While the ‘peacekeeper’ was normally very stressed, or potentially have conflicting biases depending on their own belief systems.

“Sometimes such nonideal environments create situations where an intentionally designed encounter results in physical violence between two groups where previously there existed only verbal aggression or no visible relation whatsoever.”

While every situation is different, we can relate between this ideology behind social justice and conflict management through social and individual identities, and how as an education institute we challenge our current norms and bring this teaching into our curriculums. A cultural reset would be hard to enact, even trying to get all our staff in for a yearly meeting, which is more a dictatorship from pathway leaders, challenging our social justice issues, is currently not possible or not seen in my opinion to be a worthy cause to challenge.

“SIT posits that intergroup encounters must be approached in and through students’ larger social identities. This theory assumes that structured intergroup encounters reflect or are influenced by the dynamics that exist between the communities “outside the room,” that is, in the larger societies in which the encounter is embedded.”

Social identity theory (SIT), is a pillar of how we challenge, and bring forth social justice, building upon decolonisation and restructuring our teaching plans, we can use this movement to encourage a sense of identity or explore the connections between communities and identities while teaching.  A series of questions to ask myself, or for others to answer along the way;

1. How do we relate one’s practice with one’s identity?

2. How does your community structure your identity?

3. What is identity in 21st-century education?

4. How does craft (my practice) relate to individual or community identities?

“Because social identities are one of the primary criteria through which power is enacted, SIT-based models focus on intergroup, and not interpersonal, dynamics, perceived within both given groups of students and the sphere of macroreality (i.e., in settings that exist outside of, yet are directly related to, the intergroup experience, such as in the given society in which participants live).”

The quote above, sang to me in relation to my positionality as well as my practice, harbouring negativities around social groups can reflect both outside and inside teaching contexts, and holding onto bias can bring a closed mindset to learning or participating in environments that encourage and embrace differences. What I liked about this IP unit, was the trigger warning to showcase that in moments of teaching, we can be emotionally challenged a trigger warning can alert us and set our intentions to navigate such issues with guidance and allowance can challenge the social justices our class/work rooms face today.

Upon reflection on this pillar, I would suggest that a restructure of our curriculum especially one that is workshop focused, needs to be analysed and digested by the team to see what parts of the teaching practice can allow for opportunities in social justice and the social identity theory to come into play. It is very much set up in an individualist top-down program, with no opportunities for group conversations or even group critical thinking amongst peers and tutors.


“Figure 1. The Core Pillars of the Organization’s Pedagogy of Social Justice Education”

pp 426
Figure 1. The Core Pillars of the Organization’s Pedagogy of Social Justice
Education

The question I pose with this diagram is how do we build a course/curriculum around this and also the other pedagogies that have to influence our teaching, sustainability and circular, research and academia, knowledge exchange and also the college’s ethos?

How can craft and practical industry courses incorporate such strong pillars into the course structure and where is the balance between heavy technical making skills and social and economic teaching?

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Race

It was a harder journey to read and reflect on these resources than others, honestly, the question I am asking myself, is why?

The ‘peekaboo we see you: whiteness’ zine from Shades of Noir, is extremely insightful and engaging mixing text and visuals to break up the issue, I enjoyed reading a few of the articles, but the main one that stood out was that of Julie Wright: ‘I Don’t Hate White People, I just can’t stand white supremacy’, found on page 116-117. It was relevant to me in a more practical setting as it was teaching lived experience. Wright mentioned that evidence of white supremacy is there due to the microaggressions, while also providing references to media-established microaggressions. The teaching I took was that for me to break my privilege and understand my biases, I can provide the space and time for BIPOC to speak and illustrate their experiences in a safe environment. That I also must observe and reflect on body language and how my own presence as a cis, white male can dominate a room and control the narrative of discussion.  The following quote by Wright provided me the moment to sit, take a break from this issue of SON and reflect on my past experiences.


“And that’s the problem right there, clear as day”.

As the class setting is already prepared, it was easier navigation to read up on, ‘Retention and attainment in the disciplines: Art and Design’ (Finnigan and Richards 2016). What captured my attention was the percentage differences between White students 6% to that of Black Caribbean, 13% of Black or Black British and 10% of Black other. This number was truly staggering, something as a technician I have considered, I also question if there are ‘investigative’ opportunities between why these students are dropping out, more in the sense of pastoral care than administrative action.

“Art education has generally been conservative, repetitive and exclusive. Art education theorists have even described art education as Eurocentric, racist and imperialist and have called for curriculum reform and social change. (Hatton 2015, p. 3)”

This quote from the article on page 8 under ‘Inclusive curriculum and Identity work’ proved a theory that I even questioned. The Eurocentric or Western ideals of education dictatorship, to accumulate profit over learning, showed me that we as a creative society have lost the beauty behind Art education and what it meant to find and study your identity as an artist. This rapport is evidence that art education needs to change, my only fault with it, is that I as a technician have no power to interrupt or intervene in change within my associated course. That hierarchy of privilege comes into play when senior academics dictate their wants over industry needs, and social constructs of learning environments need to change with current political and economic societies.

Reflecting on these resources has provided me with a stop button. Consider my positionality and my position and understand that my teaching environments need to be student lead and focused on student learning fulfilment and engagement. To understand my biases, how to observe and adapt my being to inclusive and understanding, but also how my own identity has shaped my career and how I can use my own lived experience to reshape my workshops to become inclusive and welcoming to all.

“Freire explains the role that identity plays in the shaping and implementation of education. One of his most important arguments is that students’ identities need to be taken into account in all educational settings.”

Quoted from ‘A pedagogy of social justice education: social identity, theory and intersectionality’ (pg 411-417 Read Hahn Tapper 2013).  This I believe is a quote and pedagogy focus point I can bring into all my future teaching.


References

Finnigan, Terry, and Aisha Richards. Retention and Attainment in the Disciplines: Art and Design. AdvanedHE, 3 Sept. 2016.

Hahn Tapper, Aaron J. “A Pedagogy of Social Justice Education: Social Identity Theory, Intersectionality, and Empowerment.” Conflict Resolution Quarterly, vol. 30, no. 4, June 2013, pp. 411–445, https://doi.org/10.1002/crq.21072. Accessed 10 July 2023.

Shades of Noir. “Peekaboo We See You: Whiteness.” Issuu, 27 Apr. 2018, issuu.com/shadesofnoir/docs/peekaboo_we_see_you_whiteness.

UCU – University and College Union. “Witness: Unconscious Bias.” Www.youtube.com, 1 Feb. 2016, www.youtube.com/watch?v=Y6XDUGPoaFw.

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I Don’t Hate White People, I just can’t stand white supremacy.

Julie Wright, MA Central Saint Martins graduate. P116-117 Shades of Noir: Peekaboo We see you: whiteness. April 27 2018.

I Don’t Hate White People, I just can’t stand white supremacy.


My first initial thought reading this article was to put myself in my student’s shoes. How does the environment affect them emotionally and physically? How, I as a white Irish person, plus cis, plus male occupy this space.
Reflecting on my biases around this, I can’t fully justify if my presence is what I assume it to be, I have to take into consideration that I can have a threatening appearance, that my height of 185cm can seem scary to someone who is much smaller and younger.  There is the physicality of being in a room that can deter someone’s experience dramatically, I believe Wright justifies this while working at an eyewear company;

“the subtle and sometimes not-so-subtle microaggressions had my blackness being glared at from 10am – 6pm, 5 days a week. The pressure of being under the white gaze and living up to any stereotypes such as the angry black women wore thin on my mental and emotional health as it almost felt like I was being antagonised and goaded into falling into that stereotype”.

I have friends in the knitting industry who are people of colour, and increasingly I’m starting to see the number of doors that are being shut, as an industry professional I can justify their skills! They have the capabilities of doing those jobs and some! After a while though, you really see it start to attack their mental health and body language.

From this reading and talking to my BIPOC friends and colleagues, I have been taught that the most powerful tool I can do to help, is to listen and provide space. I find that with my teaching career, I have developed more patience in allowance and to even slow down my own accent to allow for clear and respected communication. As Wright goes on to say, the feeling of being ignored was highlighted when the white student, cut them off and started talking over them.

“And that’s the problem right there, clear as day”.

Wrights provide incredibly potent samples of how corrupt and biased are media (western) is towards beaconing whiteness over BIPOC, with references to Serena Williams and Sharapova, who were proven to being performance-enhancing drugs, yet Williams was belittled by the media in being referred to as a man and a gorilla all to squash her confidence and achievements. While also goes on to explain another micro-aggression from the BBC asking if ‘Vogue is still relevant today?’ in conjunction with the first black man becoming editor-in-chief of British Vogue.

Without reading this article, I don’t think I would’ve ever known those two facts, maybe this is my own white supremacy and being blinded towards these microaggressions. The fact is that I am growing, and this unit has taught me to reflect more closely on my environments, language and body language. My biases are something I need to flag and be more aware of, and if and when challenged I allow the conversation to hold a place for growth and the opportunity to be taught about others’ lives in their lived experiences.

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